funky very classic sounding house track with this irresistible male vocals backed with a rolling bassline, great horns and a cool saxline includes a percussion driven stereo mutants mix a must have for the cases of all real house heads

on this occasion, the gentleman of the arpeggios and wonderful melodies, ilya santana, bring us a relaxed track inspired by the progressive rock of the 70s and more space than ever with a great load of feelings and emotion. includes trademark pete herbert (eskimo recordings) remix with amazing percussions and funky bassline that kicks your stomach so that you cant let dance. excellent production. file next to steve kotey, lsb, fabricio marmarella, lindstrom & prins thomas, todd terje, nick chacona, idjut boys

the third release of new quality house imprint sume music is a project of some of the hottest producers at the moment polish duo wawa (defected/fluential/egoiste) joined thomas gold (cr2/vendetta/musica diaz) to produce a huge peak time bomb. the original mix is packed with kicking beats, a funky electronic bassline, powerful piano chords and a nice looped vocal line all combined to a sure crowd mover. on the flip patric la funk (toolroom/superstar/ housesession) shows, why he is one of the most promising talents in the house music scene. his electronic remix is deep and groovy but filled with some beautiful strings and the piano of the original version. a great piece of modern housemusic. to complete the package theres also a progressive dub mix by wawa

mario fabriani joins forces with his long lost nephew fabio bacchini for a discofied romp on fetish. fabriani kicks things off with amore a driving dancefloor jam with sassy diva vocals and tough filtered bassline. a2 good god almighty makes use of a wicked sample and catchy vocal hook for some more peaktime party action. flip for fabios caribbean soul, a latin disco number reminiscent of some late 90s defected/soulfuric output and incredibly effective. lastly is moonshine another trademark bacchini samplefest, complete with disco bubbles, classic 70s strings and an abundant use of filters in all the right places.

>undercover< zeichnet sich durch eine pumpende bassline aus, die ihresgleichen sucht, produziert für den stenesken höhepunkt einer nacht im grossen raum. zum glück ist da noch die lawrence version! this is the real shit- ein zurückgelehnt flirrender tune for all you house music lovers

excellent tough underground house tune with rolling electro infected bassline & sharp beats, includes deep moody rocco remix and tribal flavoured edit by sid & val be quick to get your copy

rmxs by etienne de crecy & proxy – essential 12inch !! …new single called tenderoni......i love the song. makes me dance. killer bassline, serious groove. groove. funk. groove. yeah! its my second fave on the album. mixed by zdar. its a funk bomb. theres that word again. we needed remixes and we spent so much time on it....oh man, its soooo annoying! why isnt there just a machine you can drop the track into and it comes out with remixes.i should list all the people that almost did remixes..... we got proxy to remix it, cuz hes russian and on turbo, and hes the future,and it was a great way to hype him up and save some cash.....but that does not mean that the mix is a compromise... in fact it is my favorite remix in ages....total rave-pop-bomb. i love it so much.... but maybe it could have been louder. i also think this is proxys first ever remix....a piece of legitimate musical history can be yours for under 10euros

baobinga makes his mantra breaks debut with shake it. its a rolling bass monster that will literally leave you quaking in your boots! there is also a heavy techno influence with uplifting stabs and plenty of electronic weirdness. label buddy madox has been a busy putting the final touches to his debut album but luckily for us he has still found time to provide a stomping rendition. the growling bassline relentlessly drives this badboy, which will keep the dancefloor jumping for joy

pierce & twirdy created an intense piece of deep, harmonic and hypnotizing techno. close to their detroit roots but fresh in the result, similar to recent music by artists like martin landsky they build up strong synth lines with minimal drumming and mindtripping spheric sounds. supplementing the release, robert babicz adds his very own interpretation of the original by positioning the drumming in a modern house style combined with a murder bassline that once again proves his awesome skills as a producer.

big one for all the italo and cosmic disco heads!! >satellites are spinning< is an amazing disco oddysey which kicks off with a patrick cowley like electric bassline and the builds slowly. more and more synths are laid down to ensure for a mighty climax half way true when the lead melody kicks in. on the b-side we have this amazing vocal booguie tune called >u cant help but dance.< this can be compared with a moodymann meets theo parrish meets dexter wansel kinda song. whatever this may be, rest assured this nugget moves booty when dropped in the club. this awesome package ends with an electronic p-funk track called >zweap.< the mighty linndrum computer reminds of earlier prince productions and the crazy synths sound like amp fiddler playing on another dirty and energetic george clinton meets parliament gig

klaus heavyweight hills title fight imprint returns with massive new skool breaks number by jono fernandez with this electro esque bassline that will appeal to electrohouse jocks too flip for an atmospheric roller remix by vandal a must have

the a-side, >slap back< is a peak time, funk packed rave destroyer with all the right moves. shuffled grooves, doubled kick drums, slick edits and a monster hook equals a prime time bomb. tried tested and true, this cut is sure to raise the roof. >fridge funk< takes things slightly deeper on the b-side but follows suit to >slap back<. in its ability to peak and burn a dancefloor. layers of swinging percussion build up to a deep melody that breathes and filters up to the essence of funk, purely expressed in the monster bassline. to cut it short, this selection is simply massive and is sure to be part of your soundtrack to many a summer night sessions . dj support by tom clark, jeff milligan, laurent garnier

esperanza once again welcomes a new artist to its forever expanding team.in this release we witness some more young aand fresh talent in the form of seth troxler. already loved and supported by djs like magda and troy pierce, just to mention a few. seth effortlessly creates a sexy and irresistble ep in which he clearly shows his natural ability to create an hearthquake groove through use of skillfull arrangments.the a1 opens the ep with lee curtiss remix (dumb unit-kalimari) of the track which we will find on the a2. lee gives us his interpretation with a straight forward groove and a funkier shape. on a2 we find >crossonlikespoo< wich is characterized by a superfunky bassline and amazing percussion, its been damaging every dancefloor weve tested it on. >brabaros strides< on b side is more deep and introspective track ,perfect for the warm up, in a fresh summer style.this is a must have ep for your collection from the hottest new artist of the moment!

the sound enforcers are dave angel and jamie anderson and they have produced many quality tracks over the last couple of years and here they have made their first release together for rotation. the aside is a funky bassline driven club killer with driving percussion and funky edits. on the flip you will find a little bit more aggressive bodi remix

strong buzz around this hot label asante records (uk) (label for sterling ensemble, marlon d, ian friday, joi cardwell, roots, jihad muhammad, sis n jones, & anto vitale. following up the much appreciated spring sampler 1, herer is the part 2, & what a smoker this is ! a side the much sought after vocal from joi cardwell, buzzed song with a top class production, an irresistible hypnotic bassline, & the magic of joi s vocals.superb ! b side, another killa club song makes of this ep a must have item ! already buzzed by the big boys masters at work, booka shade, larry heard, osunlade, roger sanchez, karizma & many more

with >manipulation< johnny d creates an atmosphere of a special kind. a slowly growing track that grooves endlessly from beginning to end. >gualia< is much straighter, a pushing tune with marching percussion und a rocking bassline. >since the last time< remixed by nekes follows the path of those morning hours filled with happiness, which completes the second olso release. deep, jazzy house tasting like summer.

rmxs by agnès & sam k, after her incredible release on num with ripperton, >sunshine chile< masaya comes back with another track full of emotions! the a side host the original track, in a pure minimal house style. youll find on this side too the amazing sam k rework. a fette deep & crunchy el choquero reshake, this track is an after party hurricane. on the agnès side, the funkman kill us with 2 reinterpretations: the first one comes in a pure detroit style and kills everyone on its road. massive hook synthz, catchy bassline & house styled drums… this is a pure 2007 nu anthem. the second remix is a pure agnès minimal groove. like a spiral into the deepness & minimalism. in one word .huge.

it is done!! prick your ears for the new label maripoza founded by the upcoming producers ryan davis and lanny may. with their own label they present a sound that goes directly under your skin and nevermore out of your head. the first monstertune vinyl includes two tracks wich will demonstrate what maripoza means. >white flag black< is a hypnotic banger wich will hit the floor with his massive bassline and the concise melody. on the flipside >maripoza<, the track named after the label comes around with his heartbraking sound. a journey between minilogue, bodzin and nathan fake combined with future elements

rex returns to sinister with this dark atmospheric techy edged monster of a track flip over for a huge introspective remix who turn the track into an a massive roller with a growling bassline and great percussions a must have

frankie comes back with a 3 tracker ep >a hair dressing story ep< beetwen freak in house and minimal techno a1 balance starts straight with rollin techy bassline and unpredictable weird & distorded medolies a2 shtootsh in a more housey way groovy mid bass and cut voices on the flip b1 lucky duck is a crazy 10 min versatile groovy track beetwen minmal techno and weird jackin house feeling building up an unusual floor burner ...definitely a must to have..

casey nefcy is the in house engineer for om records and has worked with all the heavyweight om artists. here he kicks off his first solo outing with some tasty latenight grooves. features a sizzling vocal from jessica marquez lead vocalist from the west coast group uneaq. a 1 has a deep and spacey tech edge with a rolling bassline and synth pads. a 2 and b 1 are both pumped up dj dealer mixes with much energy, pumped up beats, rhodes stabs and driving bassline

after the success of >stereoclash<, d.lewis & emix are back with three great pushing tecky minimal electro house mover styled up with a phat rollin bassline on the flipside

mihai popoviciu (romania). after his first single for international gigolo records and some smaller releases, this is mihais first ep in 2007. on the a-side >first contact< he starts the other way round. the sequence bores this time the sequence reaches the head before an undulating bassline arrives. then in the perfect teamwork, nobody could stand still. with b1 >capcana< the sequence and the bassline are running at the same time, and will be differently modulated over and over again. b2 >sharp< is based on a rhythmical grooving which develops later with a sequence on his side to a perfect hypnosis

klement bonelli is back under his klmnt alias we all know his melodic, techy,spaced out trademark sound zouin is not different at all its a massive builder with an effective synth melody and outstanding funky bassline tiger stripes is on remix duties again and he did 2 pieces of art already played by jerome sydenham, francois kevorkian, roger sanchez, john digweed, hernan cattaneo

a driving jazz dance tune with big horns & the heart & soul energy of live playing. middlewood make music for lovers and this is no exception. spritual south ratchet up the dancefloor vibes with a killer bassline and drums

electrofied groovin proggy house pushed with a very cool bassline !! incl sean mcclellan remix

sizzling sampler starting with a bass boomin extra funky, jazz infused keep it going with a shot of james brown feel thrown in via a live drum sound and rhythm guitar. julius papp and charles spencer really let loose with the help of tonee green on vocals and fanatix on the remix. next up is the rousing classic sound of solitude with dj deep and franck roger featuring panyard. straight head tempo with a church feeling organ sound and soaring vocal. flip for kenny carvajal & oliver portal with je t adore. rubbery bassline, beautigul deep retro synth sound with a jazz edge that shines throughout the track.

dj fred hush is back for more on the palm beachrecords. the label from brussels is starting to get real famous in country s like belgium, france and germany. after the >open your eyes< (pb 601) and the >dangerous disco< (pb 602) releases, the rubix ep follows in their known style. with the title track hush offers a track like a horse on a racetrack... its right after you and it wont stop running and running and running. solid electro–electronic music for discerning dancefloors and relaxing sofas. the flipside will break up your dancefloor because fred hush chooses to build up softly to reach an amazing climax. friendly but minimal electro – sounds with a warm and uplifting bassline..

in the a side, undo & vicknoise, the masterminds of the label deliver their most tense and baroque track ever. to the simple kick-snare of the beginning they add progressively a distorted and powerful bassline, and omnipresent xylophone and some sub-aquatic melodies factor city school that will give you the creeps. sistema and his other self in full-moon nights, show in >te tazas< its best-known face: dark and epic tunes with a slight taste of 90s sound. hands up for mister coromina with >dancing and confused< he delivers what will be a sure hit forgetting the sound we were used to listen in his productions alongside undo. as you hear the track and its persistent jaw-dropping bassline, the best productions of carl craig and Âme will pop up to your mind showing clear influences of the new generation house music. youll dance more than c3po in a gargantuan spin-dry machine !! supported by: laurent garnier, funk d void, kiki, the youngsters, stefan goldmann, donato dozzy, mathias kaden, sian, glimpse, jesse somfay, karotte and angel molina

the second release by the russian project stepsine gives a better idea about musical preferences of these artists. on this record galymjean and vadim combine electro house with nuskool breaks preserving their unique sound characterized by powerful bassline and tough drum parts

the original clublive version starts with effective and bouncy lynn drum beats. then a trancey synth arpeggio and some dirty bassline come in along with a catchy vocal by gustaf. the glimmers deliver effective synth works with phat double bass

nice price deal !!! side a is a midtempo stormer with wall of sound percussion, massive synth bass, headrush atmospherics and raging, gorgeous keys by the insanely talented dan hastie. a slow build to a killer break and when that bass kicks back in, you re talkin maximum dancefloor havoc. 80s nyc boogie meets nudisco for a serious night out on the town. a1 is a remix by the electronic boogie band that aims straight for the knees and doesnt miss. the bazman and callum walker serve up a wicked dance tempo rework replete with a feisty, stripped down rhythm section, wide load bassline and italo esque arpeggiating keys and a neat arrangement to boot.

shed is back ! on his own imprint and he delivers his most dancefloor oriented 12inch so far. a1 comes with a helicopter-bassline and drills in to your head continuously, a2 is house-music pure and b1 is moving your body for sure..... b2... for coming down. this record is made available by these kinky dudes from germany. thank you.

monomachine behind the name monomachine lie two well known musicians of the spanish and chilean electronic scene respectively: iñigo oruezábal and francisco allendes. this adventure in minimal code, sometimes more techno and others more house oriented, gathers all the background and joint professional experience of both artists, as a result of years of individual experience in the best dj booths and studios in spain and south america. its a sound that relates directly with the vanguard sounds in the current electronic dance music has its main target in the dance floor, not leaving aside a high quality production which results in an intense and clear sound. here are their latest tracks, released on catwash records.bomb jack on the a side is a tweaky, techy, track with jungle drum and percussion, and a soothing constant bass line that makes this track a great connector in any set. ghost and goblins on the b side starts out with some rhythmic minimal bongo drum sounds before a deep echoey bassline enters and kicks the track into its real journey. the contrasting synth sounds add flavour that turns this into a good boppy track that will get the peeps grooving on the dancefloor!

a funky bassline, massive strings and ultrasweet & very sexy vocals by roxane lebrasse make this a real discohouse winner this will be huge this summer with all the usual suspects a must have

tayos distinctive dub breaks style has forged its way forwards onto a worldwide platform with impressive dj sets and radio shows on kiss and bbc radio one. his fusion of other genres into breakbeat can clearly be heard on his fabric live 32 mix cd, which is an absolute corker! this time around he is not alone and teams up with the dynamic duo ctrl z. they also have an impressive repertoire with releases and remixes under their belts on respected labels such as 777, hardcore beats and rat records. its no surprise then that we have a heavy dub influenced groover everytime, which makes a perfect summer time party tune. on the flip lovers rock teases it way from a slower reggae groove to a full force bassline that will tear any dancefloor apart.

>the dawn< is a moody, undulating cruiser of a track, which will subtly but surely make a dancefloor feel a sense of sunrise, whatever time of day or night. busy, clicky percussion sets the scene for a full-bodied, rising, almost trancey bassline to take control. t ups the intensity with real dancefloor nous and precision programming, layering distressed synth sounds and heavily treated keys atop each other while never losing sight of the tracks fierce ,fundamental groove. ‘the dawn’ builds and builds, by turns dropping out the percussion and the bassline, every departure and return a heads-down, hands-aloft dancefloor moment. the crisp snares and rich, melodic notes of delay add even more depth to what is already an essential tune. b-side >jam pot< is more playful, and driven by a classic physical bass melody - at once intimate and techy, dubby and dancefloor-urgent, gritty but optimistic. again, the attention to detail on the percussion takes this track to the next level, and jazzy keys provide an organic ontrast to the robotic blips and bleeps.

sven dohse is back to knock you off your feet with two more magnificent tracks. crusher means to break your bones not with violence, but force-wise. this dry bassline just pretends to be tame – like the whole ensemble does in the beginning. but initial conditions change persistently until you awake twirling in a gloomy moment of house. so compulsive it stinks. so offhand it hurts. so self-evident it makes you wanna scream. way after midnight weaver uplifts out of a sentiment of infinity. warm layers of sound come floating above an abyss hardly indicated. time barely scratches the surface of this pocket epic telling you on and on again: tomorrow never comes

nice price deal !!! road sound like massive attack going on a trip to brazil and africa, taking with them the soul of terry callier and the raw funk of gorillaz. it is a unique collaboration of musicians from backgrounds ranging from industrial funk to brazilian fusion, using instruments from berimbau and surdo to hurdy gurdy, moog and double bass. featuring vocals by valerie etienne (galliano, lucy jules, terry callier, and earl zinger the road crew deconstruct music to its roots, and rebuild it with no respect for pedestrians. the result is an infectious, fresh debut album which is to be announced for may 2007. as a first teaser there will be the single release of >my name< which features lorna brown on vocals. the track comes in 2 mixes which have been both produced by road and just show their versatile approach for modern urban music

funky summer house tune with a funky bassline,a cool sax hook and the dirty female vocals includes mixes by jk david, the whiteliners and the backflash bros

next big strike by matt shrewd here i am a fool is a freaky funky roller with an infectious vocal hook and this huge bassline the sound diggers & groove federation mix on the a side is a deep groover with a cool filterd breakdown on the flip you ll find a great swirl people mix the belgian duo adds a nice synth hook and a nice flute to funk things up this is a must have record

jake childs returns to icon under his morning star moniker with a remake of the nitzer ebb join in the chant from 1988. join in the chant bacame a classic alongside groups like ministry and front 242 and helped define the future of dance music. with this interpretation jake keeps things deep, retaining the key vocal hooks and bassline while taking the rest of the production in a more subtle direction.

bryan jones returns to his own ringside imprint in good form. with him are newcomers j lettow and william alexander from lingo recordings fame. kicking off is make you move a pure funk bomb, complete with stellar piano and horn loops and those trademarked bryan jones drums that never fail. next up is vibe like tonight is the pick of the platter. building up with a tough as nails disco loop that drops into a delicious groove half way through. flip for hold tight a sinfully sleazy hip house jam already receiving massive support from the usual suspects. last is rub on the fat booty, another rap sample fiasco with a bumpy bassline, vocal bits and a very twisted vibe

jay west and christian mallloni have joined together to create a hybrid filter funk sound all of their own. the original reaks havoc on the dance floor creating serious synth sweeps and bass drops to keep this track versatile and improvisational throughout. the vocal sample quirky as it is rings in your head while the percussive rhythm and killer bassline dri this piece home. nightshift boss man hipp e steps up for the b side with a new style and brings down the house. extended peak time mix here with big synth rides, crispy rhythm and big kick. wicked breakdown riddled with bits from the original and ever expanding sonic modulation takes this cut to the limit

slamming hypnotic techhouse action from henry (known from his classic releases on container, harthouse , mfs, superstition...) and denis karimani aka remute. dominated by a sustaining synth-chord, percussive beats and a funky bassline-bit this tune sounds absolutely fresh... incl superb efdemin remix (dial, liebe*detail...)

since 2000, d julz produced and released his tracks on labels such as dessous, ovum, brique rouge, se rial, 20/20 vision, paper, music for freaks and end recordings, and we are happy to present his latest tracks on poker flat. >runny< is a great euphonious, techy and percussive track around an alienated violin sound. the remix has been contributed by dan berkson and james what, who released already their >cantina< ep (pfr77) on poker flat. their mix comes in the typical berkson and what sound with warmer keyboard sounds and a groovy bassline. >sign< on b2 is a deep, but pushing tech-house tune with a great build-up. super-cool ep!

big hit! stunning minimal techno from berlins underground producer scene! the subdub label owner and berlin based techno activists heinrichs & hirtenfellner, have already released numerous tracks and remixes on labels like lordag, supdub, tonkonsum, römer and freshly squeezed: karateklub! violet rain on the a-side is a deep groovin’ track with melancholic atmosphere rounded up with an amazing pumping bassline. on the flip drop to the warm ground is a funky and intense track accented with bleepy textures. for peak time play, no question about it! “under the water surface” starts with a smooth beat combined with nice melodic elements. but after the break: a dirty and pushing bassline rolls over the whole track - the monster awakes and send the dancing crowd to the moon and back! amazing 3-track ep - buy or die!

redshapes profile is still rapidly growing. taken in mind it has been just over one year ago redshapes first ep was released on delsin - a lot of things have happened! nowadays weekly doing performances through europe, and two singles ending up in de:bugs 2006 chart. back to now, this new ep. steam comes in clonky and rough, as the track species on his last ep on redshapes own imprint present. light is a deeply beatless freaked synth excursion. the flip brings more hot stuff - starting with munch, a more detroited redshape as before! sounding as a lost 69 track, with its quircky chopped up breakbeats and whobbling synth bassline. plush at last brings in the otherworldy sounds inline of this ep on styrax. catchy business!!

west coast meets east coast killer bassline influenced by california disco joints from j disco, stranger & shortbus, triangle orchestera, coppa and more a must have